Photos – Mystery, fantasy and romance at the dangerous ends of the earth

Bhutan: Monks and Monasteries, Nuns and Nunneries

By Karen Abrahamson | November 5, 2019

Monk at Trongsa Dzong. Copyright karen Abrahamson.

One of the images I will always remember of Bhutan is of the tall white walls and ornate carved lintels of the many monasteries and nunneries that dot Bhutan’s landscape. It seemed that beyond the mighty Dzong fortresses (that usually included a monastery), Bhutan’s landscape was littered with the gleaming roofs and walls of temples, monasteries and nunneries. Okay, that impression may have been added to by the prevalence of stupa and chorten (stone Buddhist monument, often containing religious relics) as well as smaller, white stone/clay structures found at homes, temples, monasteries etc. where people burn cypress or pine branches to purify the air. But within these glittering walls awaited the true jewels—the people.

On a personal level I can only imagine how invasive it must be to have camera-laden foreigners invading your place of quiet contemplation and snapping away. It must be even more so, when EVERYONE wants an image of a red-robed monk against a white wall. I can’t blame some of the monks for literally waving tourists away—heck, I’d most likely be doing a lot more to protect my privacy—but that wasn’t my experience with the monks and nuns of Bhutan.

Our first visit to a monastery was at Jakar Dzong. We arrived late in the afternoon after most tourists had come and gone. Not surprisingly, late in the afternoon was also when the monks ventured out, but I was surprised at how welcoming they were. Young monks posed for us, and one of the senior monks (he happened to be an adopted relation of our guide) invited us into his chambers to share a glass of arra, a powerful liquor distilled from rice, and some puffed rice. With all of us (seven photographers and two guides) crowded into his room and seated on the floor, our host proceeded to spend over an hour with us answering questions about Buddhism and monastic life.

Young Monks at Jakar Dzong. Copyright karen Abrahamson.

That alone, was a gift, but he also invited us to an early morning ceremony at the temple so we were up and at the temple by 6 am—about 3 hours after the preparations had begun. There we sat at the end of the room while the monks chanted, blew long horns and beat ornate drums, while here and there the poor young monks would doze off for a few minutes before jerking awake again. I cannot convey to you the bone-deep vibration of the chanting and the soft yellow gutter of the butter lamps that illuminated the room.

Morning Ceremony, Jakar Dzong. Copyright Karen Abrahamson.

On another occasion we visited a nunnery set on a hilltop a long way off the main roads. When we arrived most of the young nuns were too shy to allow us to photograph them, but with a little cajoling and a lot of laughter we finally broke through. The ‘hit’ of the day was a small polaroid camera that allowed us to take photos for the nuns to keep. It was wonderful and the smiles were beatific.

Nuns at Pema Chopin Nunnery. Copyright Karen Abrahamson.

Maybe it was the time we took, instead of just swiftly touring around and snapping photos like so often happens with tourists, but it was nice to see the monks and nuns wave back when it was time for us to go.

The ubiquitous Monk on a smart phone. Jakar Dzong. Copyright Karen Abrahamson.

It was nice to have two young monks get into the photograph at Trongsa Dzong. Copyright Karen Abrahamson.

Bhutan: Preparing for the Perilous Landscape

By Karen Abrahamson | November 2, 2019

Paro Dzong (fortress/monastery) in the blue light of late evening. In Bhutan these huge structures are half monastery and half government administration. Copyright, Karen Abrahamson.

Since returning home and while suffering from jet lag I’ve had a number of people ask me where I was travelling. When I answer “Bhutan” I’ve had a lot of blank stares, so just to clarify, Bhutan is a small Himalayan country pressed, geographically, between Tibetan China and India. In fact, both larger countries have, in the past, taken over parts of Bhutan, with the most recent encroachment being the Chinese moving into and claiming Bhutanese highlands. The Chinese were presumably driven by the need to claim more of the very rare and very valuable Bhutanese cordyceps—a fungus that grows out of a high-altitude caterpillar’s forehead that “purportedly has medicinal powers matched only by rhino horns, elephant tusks and tiger penises” (according to my Lonely Planet guide.)

So, Bhutan whose symbol is the thunder dragon and which enjoys a Tibetan style culture that is purely its own, sits partially in very high mountains and partially in lovely valley floors. The lowest of those valleys is apparently still higher than some of the lowest elevation cities in Peru—the last country that I visited where altitude was involved. Given how altitude sickness struck me in Peru (I couldn’t take the preventative drugs because I was technically allergic to it), I was more than a little paranoid about visiting Bhutan. The skull-shattering headaches I had in Peru made me think I might understand how the caterpillar felt when being attacked by the head fungus. So, in preparation for Bhutan, I decided to go through my own ordeal before I left on the trip. I decided to get tested to see if I really was allergic.

Cypress and fog near one of the many mountain passes. Copyright Karen Abrahamson.

The altitude sickness drug is called Diamox and it is a sulfa-based drug, to which I am allergic (according to doctors that I saw when I was sixteen years old). In the interest of seeing whether my body chemistry had changed, my current family doctor referred me to an allergist—a referral that took three months before I had an appointment, putting me only one month from my Bhutanese departure date. I arrived at the appointment and the allergist took my blood pressure, checked my heart etc., told me that I was healthy (which I knew) and then advised that there were NO tests for sulfa allergies, but if I’d like to go into the hospital for three days they could possibly test me for Penicillin allergies. (I mean what the****?) He suggested that I not take the Diamox but, as an afterthought, suggested that I might want to call the local travel clinic for a second opinion.

Given my experience in Peru and my determination to go to Bhutan, that was exactly what I did. I spoke to the travel doctor who listened to my issue. She told me to take the Diamox—there was, apparently, no cross-reactivity (whatever that means). So I did that, too.

The Himalayas as seen from Dochu La (Pass). Note the god light lighting the peaks at the end of the day. Copyright Karen Abrahamson.

In Bhutan I travelled over passes that were 3,900 meters high and spent days at 3,300 meters—considerably higher than where I became sick in Peru (though at 3,300 meters I had frequent headaches even with the Diamox), but it was worth it. I even climbed a mountain to the Tiger’s Nest monastery at an altitude of about 3,000 meters and am here to tell the tale.

So the perilous Bhutanese landscape was really simply the magical landscape of the thunder dragon, Himalayan mountain peaks, picturesque plateaus and river valley’s so deep they looked bottomless. Everywhere there were towering cypress trees on the heights and rhododendron trees lower down. Rice fields heavy and ready to harvest lay along the valley bottoms and on stepped paddies up the valley sides. Dotting this landscape were the small towns and cities and the huge white-walled monastic fortresses called dzongs.

Most memorable of all were the beams of God-light shining through the clouds to spotlight white-washed temples or green fields. It was—supernatural, superlative, spectacular, breathtaking. And I was able to enjoy it all, thanks to the Diamox.

I pity the poor caterpillar who can’t enjoy the rarified heights where it lives.

Rice fields along one of Bhutan’s many gorgeous rivers.

A Christmas Map of Place and Time

By Karen Abrahamson | December 24, 2011

I put up the Christmas tree the other day, uncovering each tissue-wrapped ornament before putting it on the tree. My mother commented on how each one was so unique and that made me reflect on how each ornament was a memory that solidified and evoked a place that I had visited, or a certain place and time in my life.

On the tree were ornaments purchased in Peru, and others from Tanzania, Cambodia, St.Thomas, and India. The tiny painted gourd Peruvian cuy (guinea pig), hung side by side with the wee silk elephant I found in Thailand. A German bauble my mother-in-law gave me hung next to a globe found at a French clock-maker’s shop at a town next to the Swiss border and a Pueblo Indian Virgin Mary sent by my parents from Arizona. All of these brought back memories of Christmas eve feasts, times in the Angkor heat or the chill of the Himalayas, and standing on the Serengeti plains.

Two of the dearest decorations were a handmade snowman and a tiny wooden cuckoo clock. The cuckoo reminds me of times with my stepsons and ex-husband out riding the wilds of Central British Columbia. You see, that area is ranching country complete with wolves and bears and miles of undeveloped forest. In the winter it was covered with snow-laden pine and spruce. At Christmas, there was no better way to start the season than to saddle up our horses and head out into that pristine winter land.

We’d take an axe and an old horse blanket with us and head out into the forest, the horses blowing steam through their nostrils as they bounded through hock-deep snow, my sons rosy-cheeked as they raced their horses ahead until they came whooping back to announce that had found the PERFECT tree. That was what the ride was all about. We’d follow them – usually out to some clearing where a smaller tree would stand. My husband would dismount and shake the snow off, getting it all over himself and then, as a family, we’d critique the tree they’d found. If it passed muster, we’d chop the tree down, wrap it in the blanket and tether the blanketed tree to the horn of one saddle before starting our (much slower) ride home dragging the tree behind us. That would bring the official tree into our home and the small cuckoo clock was one of the first ornaments we bought as a family.

The snowman ornament was made by my youngest stepson. We didn’t have a lot of money in those days – at least not for ornaments for the tree – so he and I set out to make some. I still have the small green felt tree I made, but his is special: a stuffed white snowman complete with scarf, and broom and a black top hat all carefully sewn by ten-year-old hands. I smile and think of him, long grown to a man, whenever I find it each year.

And so my Christmas tree today is a guardian of riches worth more than the presents under it. Those glittering branches hold not only my memories, but also a map of the treasures of my life.