Tag: Photography

Bhutan: Monks and Monasteries, Nuns and Nunneries

Bhutan: Monks and Monasteries, Nuns and Nunneries

Monk at Trongsa Dzong. Copyright karen Abrahamson.

 

One of the images I will always remember of Bhutan is of the tall white walls and ornate carved lintels of the many monasteries and nunneries that dot Bhutan’s landscape. It seemed that beyond the mighty Dzong fortresses (that usually included a monastery), Bhutan’s landscape was littered with the gleaming roofs and walls of temples, monasteries and nunneries. Okay, that impression may have been added to by the prevalence of stupa and chorten (stone Buddhist monument, often containing religious relics) as well as smaller, white stone/clay structures found at homes, temples, monasteries etc. where people burn cypress or pine branches to purify the air. But within these glittering walls awaited the true jewels—the people.

 

On a personal level I can only imagine how invasive it must be to have camera-laden foreigners invading your place of quiet contemplation and snapping away. It must be even more so, when EVERYONE wants an image of a red-robed monk against a white wall. I can’t blame some of the monks for literally waving tourists away—heck, I’d most likely be doing a lot more to protect my privacy—but that wasn’t my experience with the monks and nuns of Bhutan.

 

Our first visit to a monastery was at Jakar Dzong. We arrived late in the afternoon after most tourists had come and gone. Not surprisingly, late in the afternoon was also when the monks ventured out, but I was surprised at how welcoming they were. Young monks posed for us, and one of the senior monks (he happened to be an adopted relation of our guide) invited us into his chambers to share a glass of arra, a powerful liquor distilled from rice, and some puffed rice. With all of us (seven photographers and two guides) crowded into his room and seated on the floor, our host proceeded to spend over an hour with us answering questions about Buddhism and monastic life.

Young Monks at Jakar Dzong. Copyright karen Abrahamson.

That alone, was a gift, but he also invited us to an early morning ceremony at the temple so we were up and at the temple by 6 am—about 3 hours after the preparations had begun. There we sat at the end of the room while the monks chanted, blew long horns and beat ornate drums, while here and there the poor young monks would doze off for a few minutes before jerking awake again. I cannot convey to you the bone-deep vibration of the chanting and the soft yellow gutter of the butter lamps that illuminated the room.

Morning Ceremony, Jakar Dzong. Copyright Karen Abrahamson.

 

On another occasion we visited a nunnery set on a hilltop a long way off the main roads. When we arrived most of the young nuns were too shy to allow us to photograph them, but with a little cajoling and a lot of laughter we finally broke through. The ‘hit’ of the day was a small polaroid camera that allowed us to take photos for the nuns to keep. It was wonderful and the smiles were beatific.

Nuns at Pema Chopin Nunnery. Copyright Karen Abrahamson.

Maybe it was the time we took, instead of just swiftly touring around and snapping photos like so often happens with tourists, but it was nice to see the monks and nuns wave back when it was time for us to go.

The ubiquitous Monk on a smart phone. Jakar Dzong. Copyright Karen Abrahamson.
It was nice to have two young monks get into the photograph at Trongsa Dzong. Copyright Karen Abrahamson.
Bhutan: Preparing for the Perilous Landscape

Bhutan: Preparing for the Perilous Landscape

Paro Dzong (fortress/monastery) in the blue light of late evening. In Bhutan these huge structures are half monastery and half government administration. Copyright, Karen Abrahamson.

Since returning home and while suffering from jet lag I’ve had a number of people ask me where I was travelling. When I answer “Bhutan” I’ve had a lot of blank stares, so just to clarify, Bhutan is a small Himalayan country pressed, geographically, between Tibetan China and India. In fact, both larger countries have, in the past, taken over parts of Bhutan, with the most recent encroachment being the Chinese moving into and claiming Bhutanese highlands. The Chinese were presumably driven by the need to claim more of the very rare and very valuable Bhutanese cordyceps—a fungus that grows out of a high-altitude caterpillar’s forehead that “purportedly has medicinal powers matched only by rhino horns, elephant tusks and tiger penises” (according to my Lonely Planet guide.)

 

So, Bhutan whose symbol is the thunder dragon and which enjoys a Tibetan style culture that is purely its own, sits partially in very high mountains and partially in lovely valley floors. The lowest of those valleys is apparently still higher than some of the lowest elevation cities in Peru—the last country that I visited where altitude was involved. Given how altitude sickness struck me in Peru (I couldn’t take the preventative drugs because I was technically allergic to it), I was more than a little paranoid about visiting Bhutan. The skull-shattering headaches I had in Peru made me think I might understand how the caterpillar felt when being attacked by the head fungus. So, in preparation for Bhutan, I decided to go through my own ordeal before I left on the trip. I decided to get tested to see if I really was allergic.

Cypress and fog near one of the many mountain passes. Copyright Karen Abrahamson.

The altitude sickness drug is called Diamox and it is a sulfa-based drug, to which I am allergic (according to doctors that I saw when I was sixteen years old). In the interest of seeing whether my body chemistry had changed, my current family doctor referred me to an allergist—a referral that took three months before I had an appointment, putting me only one month from my Bhutanese departure date. I arrived at the appointment and the allergist took my blood pressure, checked my heart etc., told me that I was healthy (which I knew) and then advised that there were NO tests for sulfa allergies, but if I’d like to go into the hospital for three days they could possibly test me for Penicillin allergies. (I mean what the****?) He suggested that I not take the Diamox but, as an afterthought, suggested that I might want to call the local travel clinic for a second opinion.

 

Given my experience in Peru and my determination to go to Bhutan, that was exactly what I did. I spoke to the travel doctor who listened to my issue. She told me to take the Diamox—there was, apparently, no cross-reactivity (whatever that means). So I did that, too.

The Himalayas as seen from Dochu La (Pass). Note the god light lighting the peaks at the end of the day. Copyright Karen Abrahamson.

 

In Bhutan I travelled over passes that were 3,900 meters high and spent days at 3,300 meters—considerably higher than where I became sick in Peru (though at 3,300 meters I had frequent headaches even with the Diamox), but it was worth it. I even climbed a mountain to the Tiger’s Nest monastery at an altitude of about 3,000 meters and am here to tell the tale.

 

So the perilous Bhutanese landscape was really simply the magical landscape of the thunder dragon, Himalayan mountain peaks, picturesque plateaus and river valley’s so deep they looked bottomless. Everywhere there were towering cypress trees on the heights and rhododendron trees lower down. Rice fields heavy and ready to harvest lay along the valley bottoms and on stepped paddies up the valley sides. Dotting this landscape were the small towns and cities and the huge white-walled monastic fortresses called dzongs.

 

Most memorable of all were the beams of God-light shining through the clouds to spotlight white-washed temples or green fields. It was—supernatural, superlative, spectacular, breathtaking. And I was able to enjoy it all, thanks to the Diamox.

 

I pity the poor caterpillar who can’t enjoy the rarified heights where it lives.

Rice fields along one of Bhutan’s many gorgeous rivers.
What is a Picture Worth?

What is a Picture Worth?

You see photographs on Facebook and other Social Media all the time, but I’ve never been particularly prolific in this respect. I’ve decided to change this because with changes in life circumstances I’m getting more chance to become friends with my camera. Don’t get me wrong, I’ve always enjoyed photography, but now I’m getting more serious and will be posting images from areas around where I live, and from my travels.

For example, here are a few shots from a kayaking trip I took this summer in the Broken Islands of B.C. for those of you who don’t know them, here’s a great article on them. They are a spectacular archipelago of tiny islands with shell beaches, lagoons, tiny coves and channels between them and moss laden tree branches that shadow the water.

Here are a few shots to give you the flavour of them. Cheers!

copyright@ Karen Abrahamson
Copyright @ Karen Abrahamson
Copyright@ Karen Abrahamson
Copyright@ Karen Abrahamson
Copyright@ Karen L. Abrahamson

 

 

Shadow Play: New Romance from Karen L. McKee

Shadow Play: New Romance from Karen L. McKee

Shadow Play  

Karen L. McKee

When star investigative reporter Kaitlin ‘Seattle’ Blackwood arrives in Cambodia to look for her missing father, she drops right into the middle of the mystery her father left behind. To make matters worse, two strangers try to abduct her and the one man she had hoped never to see again rescues her. B.J. McCallum¾ ex-lover, ex-man of her dreams, ex-photojournalist¾ almost ruined her career when his exploded. He comes complete with his own heap of troubles: a murdered monk, stolen rubies and missing orphans, all might be linked to her father’s disappearance. Can Kaitlin and B.J. quit fighting long enough to solve the case and survive in a country where people have a habit of disappearing?

Once again, Karen L. McKee hits just the right note of humor as she leads readers on a romantic adventure, this time through the exotic, flooded landscapes of Cambodia during monsoon season. Shadow Play is a cross between Romancing the Stone and Raiders of the Lost Ark, a fantastic romp with wonderful characters and an authentic setting.

Available as an e-book at: 

And coming February 2014 in print.

Machu Picchu Redux

Machu Picchu Redux

Machu Picchu caught in the coil of the coil of the Urubamba River (2011) Photo (c) Karen Abrahamson
Machu Picchu caught in the coil of the coil of the Urubamba River (2011) Photo (c) Karen Abrahamson

Okay, I guess I have a type A personality. If it isn’t right the first time I’ve been known to do something again and again and again, until I get it – if not right, at least closer to right. I’ve been known to go back to the same place again and again and again to get THE photo I want, when previous attempts didn’t yield what I wanted. With writing, I’ve been known to trash manuscripts 2 or 3 or 4 times before getting what I originally envisioned.

Terraces (2011) Photo (c) Karen Abrahamson
Terraces (2011) Photo (c) Karen Abrahamson

Given this, it shouldn’t surprise you that I decided to return to Machu Picchu after blowing out my legs on the Inca trail so that on my first visit to the site I was basically stationary. So up I got at 4:45 am on April 24, to catch the train to Aguas Caliente, an hour and a half train ride as the Andes unwound their scrub grass into jungle. Picture dawn light on magnificent glaciers, and then we slid into Aguas Caliente and I had to catch a bus up the mountain. And there I was. Again.

The Orchids of Machu Picchu (2011) Photo (c) Karen Abrahamson
The Orchids of Machu Picchu (2011) Photo (c) Karen Abrahamson

Not that my ankles were 100% yet. Nope. I was still using a walking stick and my left ankle was still swollen and sore, but darn it, I’d come all this way and I darn well was going to enjoy the view. So I set off uphill, up innumerable steps to the guardhouse that perched along the path between the Sungate and what was once the main gate to the city. There I sat on the edge of a terrace and overlooked the city, trying to believe I was really here. It was still incredibly busy with tourists, but this time I could move away, an take cover in the shade of bamboo farther up the terraces.

The Guardhouse, many steps above the city (2011) Photo (c) Karen Abrahamson
The Guardhouse, many steps above the city (2011) Photo (c) Karen Abrahamson

I ambled (read limped) around the ruins and found the series of fountains the Inca had built. Now don’t think spraying water and dolphins or cherubs – these are a series of small pools fed by a single spring that still supplies the ruins with water from far up the mountain. The story goes that each small pool has its own voice. I think could almost make out the tonal differences out over the myriad loud tourists. So I focused on the liquid song and, on as hot a day as this was, and after seeing children crying because foolish parents forgot to bring drinks, I could believe that the Inca built this series of fountains as homage to the importance of water to life.

There were swallows soaring and song sparrows trilling and generally it was a glorious day – except for the tourists. The final straw for me was some children who were determined to separate a very young baby llama from its mother because they wanted to pet it. I mean where were those darn children’s parents? I was about to use my walking stick and not on the llamas! Thankfully another tourist intervened before I got myself arrested. But I did get some photos I’m happy with and so here you go.

Enjoy! Ciao, from Peru!

The last view of Machu Picchu (2011) Photo (c) Karen Abrahamson
The last view of Machu Picchu (2011) Photo (c) Karen Abrahamson

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