Tag: Machu Picchu

Laid back in Ollantaytambo

Laid back in Ollantaytambo

Ollantaytambo sits in the Sacred Valley, northwest of Cuzco and is known for its ruins and its train station. You see this is the place most travelers to Machu Picchu go through, climbing on the train that will take them to Aguas Calientes and the bus to the famous ruins. It’s the place that the Camino Inca treks often stop for breakfast before hitting the trails into the mountains. I came here because it was (supposed to be) a quiet little town and because I am determined to go back to Machu Picchu and see the place as I didn’t see it before.

The town of Ollanta (as it is known to the locals) is apparently the best surviving example of Inca town planning available today.

Women at Ollantaytambo market (2011) Photo (c) Karen Abrahamson
Women at Ollantaytambo market (2011) Photo (c) Karen Abrahamson

Leave the Plaza de Armas and turn towards the ruins on the mountain, and the streets are narrow, cobbled and have irrigation channels running down the sides. Stone walls are crowned with cactus in a traditional alternative to barbed wire and broken glass and each house sports twin bulls on their ridgepole – the result of the Spanish saying a bull was more appropriate than the Inca symbol of the ‘puma’.

You can tell this town wasn’t built in this century by the way the traffic congests every time more than two cars get on the road together. Now picture a town converged on by tour busses, taxis, moto-taxis and the occasional semi, all trying to squeeze across a single-lane bridge and I swear entertainment in Ollanta is sitting under the lone tree in the Plaza and watching the mess reconfigure itself again and again in a kaleidoscope of vehicles.

Unfortunately I didn’t get to see as much of the town as I would have liked, because both my ankles are still crippled from the Machu Picchu hike, but I did try to get out daily and finagled my way along (between naps – hey, recovering here) as the lone tourist with a local association devoted to preserving the weaving arts in small villages up in the mountains.

Irrigation waterfall along the mountain road, Ollantatambo, (2011) Photo (c) Karen Abrahamson
Irrigation waterfall along the mountain road, Ollantatambo, (2011) Photo (c) Karen Abrahamson

We drove out in the morning, heading up a dirt road that stretched back into the mountains. The road rose, switching back and forth across the mountain sides following a small rushing river, the Patacancha, that was joined by innumerable glacier-fed torrents that foamed down the mountainsides. Green Inca terraces, some the longest in Peru, an old stucco church with thatch roof that I was told is one of the oldest in South America. There were donkeys and pigs and sheep and trains of pack horses headed up the mountain and views of people harvesting their papa (potatoes) laboriously by hand.

Off to the fields, Pumamarka (2011) Photo (c) Karen Abrahamson
Off to the fields, Pumamarka (2011) Photo (c) Karen Abrahamson

But best of all are the people. Not only are the people of Ollanta and environs friendly (they always have a smile, especially if you have one first), but this is a town where tradition has not yet been erased by globalization. Men and women both proudly wear their traditional clothing.

Nowhere was this more clear than in the small weaving town of Patacancha and the towns around it. As we drove in we could see the men in the school yard, bright orange and red clothing against the green.

Woman near Pumamarka (2011) Photo (c) Karen Abrahamson
Woman near Pumamarka (2011) Photo (c) Karen Abrahamson

At the weaver’s cooperative, there were 36 women dressed proudly in their heavy skirts, hand-woven button-embellished jackets, and small hats held on by beaded chin straps. According to my informant, these villagers are not seeing their young men and women leave the village and that seemed the case looking at the ages of the women in the group.

So the coop bought the women’s weavings and I took photos while we sat on a hill side under thatched huts and blue skies with the sound of the wind in the eucalyptus and the river running. Taking it all in, I didn’t feel bad that I couldn’t walk much.

At the Weaving Coop (2011) Photo (c) Karen Abrahamson
At the Weaving Coop (2011) Photo (c) Karen Abrahamson

Here in Ollanta, the culture and the past still lives and breathes and, if you sit quietly in the Plaza de Armas, both will pass you by – along with the traffic.

One of my new friends, waving goodbye (2011) Photo (c) Karen Abrahamson
One of my new friends, waving goodbye (2011) Photo (c) Karen Abrahamson
Myth, Magic and the Transformation of Machu Picchu

Myth, Magic and the Transformation of Machu Picchu

At the start of the trek (2011)
At the start of the trek (2011)

Hiking the Camino Inca to Machu Picchu should be a transformative experience. After all, I was treading the same stone steps that Inca kings and nobility had trod before the Spanish arrived. Think breath-taking heights (literally), panoramic views of the mountain tops, and struggling up steep grades through jungle and rain forest to get to the ‘Sun gate’ and finally peer down upon the fabled city of Machu Picchu. How can one not be transformed after an experience like that?

Farmstead gate, Sacred Valley, Peru (2011) Photo (c) Karen Abrahamson
Farmstead gate, Sacred Valley, Peru (2011) Photo (c) Karen Abrahamson

There were five of us – a thirty-something New Zealand/Irish couple and a twenty-something British couple – and me at almost twice their age. We started our trip at 4:30 in the morning, joining the small bus that took us to the small town of Ollantaytambo northwest of Cuzco, and then beyond to kilometer 82 on the railroad tracks between Cuzco and Aguas Calientes, the modern town that lies just below Machu Picchu. From there we took to the trail and entered the backcountry of the Sacred Valley of the Urubamba River. We hiked up a gently sloping trail past people bringing horses and burros down to the river, and to fields to pack out the recent potato crop. We were passed on the path by our red-clad porters who literally ran up the path ahead of us like the ‘Flash’, to get to our lunch time stop ahead of us and prepare a massive meal of trout and vegetables and potatoes and pasta. With that break we kept hiking, stopping at lookouts to see terraced remains of ancient Inca communities and the small farmsteads that exist today.

The trail turns upwards (2011) Photo (c) Karen Abrahamson
The trail turns upwards (2011) Photo (c) Karen Abrahamson

The ground started up and we aimed at our first pass – 4,200 meters, but stopped to camp for the night at Ayapata, about half way up the mountain flank. So we had a quiet evening listening to the frogs that sang into the night and looking at the southern cross and Orion’s belt hanging over the glaciers, both of which were important to the Incas. The Southern Cross apparently helped predict the growing seasons, as well as major events such as the destruction of the Inca Empire. Orion’s belt represented the three layers of the world that the Incas believed in.

Day 2 began with a great breakfast of fruit and pancakes, but it couldn’t allay the torture to come. This was the day we had to cross the 4,200 meter, appropriately named, ‘Dead Woman’s Pass’. They say the pass earned its name because from a distance the rock formations look like a woman’s breast and nipple and face. Okay, I could see that, but as I began the climb I could also see other possibilities.

Early Morning Mountains, Inca Trail (2011) Photo (c) Karen Abrahamson
Early Morning Mountains, Inca Trail (2011) Photo (c) Karen Abrahamson

You see 4,200 meters makes it hard to breathe. You sweat and you climb uneven stairs and rocky paths and wind up through rough terrain, past old women driving llamas up the slope. Up and I was gasping and thanking god for the two walking sticks I had which, when I wasn’t climbing, I could lean on while I tried to find the oxygen to breath.

From the heights of Dead Woman's Pass (2011) Photo (c) Karen Abrahamson From the heights of Dead Woman's Pass (2011) Photo (c) Karen Abrahamson
From the heights of Dead Woman’s Pass (2011) Photo (c) Karen Abrahamson

Finally, I made it to the top and the freezing wind cut through me and made me pull on all my layers of clothing before starting the difficult journey down.

Think steps and more steps, presumably created by people with a twisted, carnival-funhouse sense of evil. Treacherous and steep and uneven, but we made our way down into a lovely valley with waterfalls and rivers cascading alongside the path through thickening vegetation that became cloud forest thick with the scent of moisture and growing. We had lunch there and it was a matter of throwing ourselves on the ground in exhaustion, having lunch, and then having thirty minutes to rest before the rest of the day’s trek.

You see, we still had another pass to climb.

Upward, and the forest grew up around us, moist and filled with exotic species like bromeliads and orchids, and the trees were covered with moss and old lichen and birds flashed yellow and blue through the branches. The air was heavy and gradually clouds rolled in as we stopped at an old, round ruin, where our guide drew the Cuzco cross for us and told us how the shape represented much of the Inca universe, and how the Urubamba river valley ruins match many of the sacred constellations that the Inca saw in the sky; over-world and this world in harmony.

The rain started then. It washed away the guide’s drawing as we started for the next pass of 4,000 meters. Wearing slickers against the rain, we struggled up – or I did – did I mention that I’ve had knee surgery twice? But I kept slogging as the rain became hail and the guide finally sent the others on towards the next camp while he and I – finally made the top and took shelter in a cave while the downpour continued. That was the first magical moment of the hike. Sitting in semi-darkness while the rain ran down the rock steps and dripped from moss on the rocks and the frogs sang in happiness at the moisture.

And then there was more down. More steps, water-slicked this time, but after what seemed like forever we made camp and I literally just sagged to the ground. It was over. The worst of it was. I had made it over Dead Woman’s Pass and only felt like I was dead.

Phuyupatamarka, the Town above the Clouds (2011) Photo (c) Karen Abrahamson
Phuyupatamarka, the Town above the Clouds (2011) Photo (c) Karen Abrahamson

The next day involved crossing the third pass. It was much lower than the others and I could breathe as we started down the long string of stairs and rough paths through rain forest. As we went, we learned the names of the orchids, and saw how the elephant ear leaves are smaller near the peak and get larger as you go lower because the oxygen increases – which sort of explains why a coastal woman like me is sooo much taller than the people of the sacred valley.

At about 12:30 we had to choose: go to camp or go to nearby ruins. We chose the ruins of Huinay Huayna. Think a great arc of terraces built into a hillside so steep it would be hard to stand. Think jungle rainforest on all sides and we sat on the steps beside a trickling, ancient irrigation channel and looked out over the mountainside and the Urubamba far below. Butterflies, some black, some iridescent turquoise and yellow and translucent fragile, fluttered up around us dancing on the slight breeze. With the sun on our faces and the water music, that was the second magical moment of the trip.

Huinay Huayna, Forever Young, hung above the Urubumba River (2011) Photo (c) Karen Abrahamson
Huinay Huayna, Forever Young, hung above the Urubumba River (2011) Photo (c) Karen Abrahamson

Frogs and cicadas welcomed our 3 am wakeup call the last morning. You see there is a race to get to the Intipunku – the Sun gate and we wanted to be the first out the checkpoint. We were, racing like ghosts by flashlight through pre-dawn darkness to the music of the frogs and cicadas, calling out treacherous footing to each other, struggling up fifty stairs that were almost perpendicular and then reaching the gate to be confronted by — cloud.

The myth is that on solstice days the sun comes through this gate and shines directly through one of the temple windows at Machu Picchu. The myth is that at Machu Picchu there are sacred stones that will fill you with energy if you touch them — but today these stones are cordoned off. The myth is that Machu Picchu exists as one of the few power places in the world, but standing there in the cloud it was easier to believe that Machu Picchu was like Xanadu and never really existed except in our hearts and our wishes. Magic.

Going down to cloud-shrouded Machu Picchu was the anticlimax. No longer is the ancient city a place seen by the very few who dare the ridges and passes of the Canimo Inca. Now busses bring the tourists up from Anguas Calientes every five minutes. Hordes of them, laughing, blabbing, yelling, irreverent, fat, sweaty and swearing tourists of every accent and nationality. There is no place you can go and feel the quiet of the place. There’s barely a place you can hear the birds sing. So I sat in Machu Picchu nursing sore legs and watched the clouds and mists roll over the mountains. I almost wished I had never left the sungate, or had had the chance to keep running the mountain passes seeking a city that never existed.

Unfortunately, the other transformation was the realization that, though my heart may be willing, physically, I’ve outrun my days of running ridges.

Machu Picchu in the mist (2011) Photo (c) Karen Abrahamson
Machu Picchu in the mist (2011) Photo (c) Karen Abrahamson
Destructive Forces, or The Beauty of Making Things Worse

Destructive Forces, or The Beauty of Making Things Worse

I’ve mentioned in previous posts about the destructive force of Ben and Shiva. Ben has his penchant for getting in behind breakable objects and purposefully shoving them off of shelves. (I have much less brick-a-brack these days.) Shiva has developed a penchant for shredding paper—cardboard—plastic. Anything he can sink his little teeth and claws into and I constantly am catching him at this lovely trick on things like – oh – my business license, the cardboard box in the corner, or a manuscript stacked and ready to be mailed out.

I wonder if editors would understand a few chewed corners.

Hmm, maybe they would just figure I have mice, or was particularly nervous about mailing this one out?

Buddhist nun at Mingan, Mandalay, (1997) Photo (c) Karen Abraha
Buddhist nun at Mingan, Mandalay, (1997) Photo (c) Karen Abraha

Anyway, in the midst of trying to preserve my manuscripts and various and sundry pieces of memorabilia from my travels, I got to thinking about destruction and its place in our lives and writing. At the same time a writer friend of mine sent me a link to some fantastic photos of the erosion and destruction of Detroit . The photos are bizarrely science fictional and evoked thoughts of Night of the Living Dead, Twelve Monkeys and War of the Worlds, and yet they are absolutely and utterly beautiful with their haunting look at faded glories. Maybe it’s just me, (but I think not, given the hordes of other visitors to places like Angkor, and Athens and Machu Picchu) but I am fascinated not just by the vestiges of what was once great and has now been destroyed, but also in the cracks in the great edifices and the things climbing through from the other side. As I watch the people of Egypt struggle for democracy I think of new life, like the fromages tree that grow from the Angkor ruins that I have on the home page of this web site. Or maybe it’s the wisdom and laughter that shines through from an age-ruined face.

What does this have to do with writing?

A writer’s job is to make things worse and to recognize that destruction is life. This is hard, because even though I think we are attracted to destruction—fascinated by it, even, if you notice the way traffic slows next to a serious traffic accident—we hate to inflict it on other beings. We are fascinated and repulsed by news of a slaughter of others. Haiti’s earthquake, for example, or Hurricane Katrina, or the Tsunami that wiped out so many in Malaysia and Thailand. And yet as a writer our hands pause as we destroy our character’s beloved possession, or reputation. We hold back from hurting them physically or mentally. We take heed of the cardinal rule and DON’T kill their cat or the dog or the horse, but we don’t do other things to wound them either.

Which makes our writing boring.

Think about it. Are we interested in a character skipping happily through life? No. Even all those Jackie Collins novels of the beautiful people carry their own carnage. That’s what makes us read those novels and all those T.V. magazines: seeing the crumbling of those magnificent edifices of the cults of personality.

So it’s not just thrillers and action stories that should have destructive forces, whether they’re external or internal to our characters, we need them to ignite the passion in the reader and make them want to read on. The ‘oh-no’ moment. The tension of anticipation of when the lover finds out that they’ve been cheated on. The implications when a character finds their home, their family, their life (insert your character’s loss here) is gone. We want to know and we want to understand how character’s overcome, because we all have those forces in our lives and we want to see what comes after.

Ruins and fromages trees, Angkor, Cambodia (2008) Photo (c) Karen Abrahamson
Ruins and fromages trees, Angkor, Cambodia (2008) Photo (c) Karen Abrahamson

The difference is, in our writing (unlike all life situations), the edifices of the character’s old life may crumble or burn, but something lovely and fragile and – more – arises from the ashes. Like that fromages tree. Like the wisdom I see in those old eyes.

So get back to your destruction when you turn to your keyboard. I’m going to keep an eye on that chewed box in the corner to see what loveliness arises.

Choosing an Agent (Or why any agent may be the last thing you want)

Choosing an Agent (Or why any agent may be the last thing you want)

Okay, I’m headed off to Peru to climb the Inca Trail. The only problem is the Peruvian Government now only allows 500 people a day on the trail and ONLY if with a sanctioned guide. This is a problem. This means I must decide who is going to help me climb that mountain. Do I just go to a travel agent and have them book the trip? Do I just choose the first guide off the internet? Do I talk to one person and make a decision?

No. And no. And no. I want to plan my own trip, so first I have to decide what I want in an agent.

Machu Picchu

I’ve had this discussion many times with my parents who also like to travel. They like a travel agent who they can visit. They tell the agent generally what they want to do and the agent makes all the arrangements. Which means that the agent also makes all the decisions. Which has resulted in some pretty stupid oversights over the years – like my parents being stuck in veritable monsoons in Portugal unaware that their plane tickets gave them the privilege of escaping anywhere else in Europe at no cost. Or arriving for a second honeymoon in a beachfront hut in Tahiti, only to find that beach front and ocean view are two different things entirely. (They had a lovely view of the manure filled beach stables, however.)

So I tend to opt for taking a little more control in the travel situation.

For a trip of this nature I know there are plenty of agents to choose from. Go on-line and search Machu Picchu Tours and your search engine will indicate there’s 588,000 results. Not exactly how I want to spend my evenings. So I develop criteria. This is where you need to be self aware enough to know what you want. So my criteria are (in no particular order):

1. Experience delivering the service – how long have they been in business.

2. Client feedback

3. Local Peruvian connections

4. Size of group they usually take

5. Type of group they focus on

6. Knowledge of the area and culture

7. They speak English.

If you look at this list you are going to see a lot of similarity to considerations you should make when searching for a literary agent. If you want a literary agent (and this is an ‘if’ in this day and age. If you’re not sure what I’m talking about I direct you to a blog here).

So how long has a potential literary agent been in that line of work? Too long? Are they about to retire? Or are they young and hungry, but likely to drop out of the business when they find out how tough it is out there? You need to balance both these issues to find someone who might be appropriate to represent you. If you want an agent.

What are prior customers saying? Sure, you can depend on what the company posts, but look elsewhere as well. Editors and Predators, for writing, but also search for tour company recommendations.

For this trip I want a company that is locally based, instead of European or American. Yes, an American company may be well established, but does it give back to the local economy? Is it run environmentally and does it help the local people? A company with these sorts of links is also likely to meet my need for the guides to be culturally-based, because this is important to me. I want to hear what they think. I want to hear their stories and hear what they know about the environment I’m travelling in.

From a writer’s perspective considerations of this nature mean does the agent have New York connections? Sure the internet means anyone anywhere can make contact with New York editors, but if the agent is New York based, they are going to know the publishing culture – at least their part of it. (For more on this, see here, and read the comments as well)

Knowing who they usually serve as clients will help you know whether the tour group will fit you. I don’t want to travel the Inca trail with people who want to party all the way, but neither do I want to hike the trail with people who are going to complain it’s too hard. So I need to check the ages of people who travelled with a company. I need to check the photos on their websites.

With agents you need to know whether their model of agency works for you. Are they agents who provide editorial services, or are they agents who focus on sales. Your choice about what you prefer, but be clear about what it is you want and ask about it. (If you don’t understand, why, read that blog I mentioned.)

Size of group gets at whether I’ll be travelling with a group of 4-8 or a group of 17. Guess which size I’d rather travel with as an independent traveler? Smaller group means it might be a trifle harder, I might have to carry more, but it also means more opportunity to do what I want, instead of being dragged behind a larger group.

With an agent, it’s important to know how large their client list is and who their client list is. If they have a large list will they have time for you? If they have a NY Times best seller client, will they have time for you? Think about this. You shouldn’t need to have your hand held, but you should be able to get electronic correspondence from your agent in a timely fashion.

Lastly, I’ve listed English speaker. Why? Because I speak English and part of my reason for travel is to speak to people of another culture and learn. Yes, I should learn Spanish, but I won’t be fluent by the time I leave, so this is the next best option.

For an agent you need to be sure that you speak the same language. You need to be certain that you both have the same understanding of what you want from your agent—or not.

So I’m down to two possible companies to choose from. One is LlamaPath and the other is United Mice. Both fit my Peruvian criteria and both have been around for a few years. Both were professional and sent information to me quickly after I queried. Tonight I make the final decision and commit myself to my faithful guide.

But only because I have to have a guide.

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